Last night, 60 Minutes aired its full interview with Steve Bannon. You’ve probably already seen the highlights (or lowlights as it were), but the most interesting. · Steve Jobs began its movie run when Gordon got a call from manager and producer Guymon Casady (later one of the picture's producers) alerting him that the. Read reviews, watch trailers and clips, find showtimes, view celebrity photos and more on MSN Movies. After spending $5bn on its new 'spaceship' HQ, it may come as no surprise that the Steve Jobs theater hidden underground inside 'the ring' has a few tricks up its.

The latest news articles from Billboard Magazine, including reviews, business, pop, hip-hop, rock, dance, country and more. Watch the latest Featured Videos on CBSNews.com. View more videos on CBS News, featuring the latest in-depth coverage from our news team. Jobs is a 2013 American biographical drama film inspired by the life of Steve Jobs, from 1974 while a student at Reed College to the introduction of the iPod in 2001. Old man, thoughtfully, with his wife’s hand over his shoulder cell phone cover case Samsung S5. Image source: my-handy-design In what’s either the best art.

A Widow's Threats, High- Powered Spats and the Sony Hack: The Strange Saga of 'Steve Jobs'This story first appeared in the Oct. The Hollywood Reporter magazine. To receive the magazine, click here to subscribe. On Sept. 2. 8, 2.

Sony Entertainment CEO Michael Lynton left his Culver City office and made the four- and- a half- mile trek to Century City, ready to open his wallet. Lynton, along with producer Mark Gordon (Saving Private Ryan), was being given a unique opportunity to read one of the most anticipated manuscripts in publishing history: Walter Isaacson's biography Steve Jobs. The brilliant but mercurial founder of Apple Inc. Oct. 5 — and Simon & Schuster was rushing the book into stores, which meant the publisher did not want it read widely in advance of its Oct. Secrecy was crucial to giving Steve Jobs the type of splash that would propel it to sales of more than 3. Watch All The King`S Men Online All The King`S Men Full Movie Online. Watch Superman III Download Full.

And so Lynton and Gordon closeted themselves for hours in separate offices at ICM Partners, Isaacson's agency, and waded through the 6. By day's end, both men were confident this was a movie — enough that Lynton called his colleague Amy Pascal, co- chairman of Sony Pictures, to ensure her buy- in before the studio commenced negotiations with Isaacson's respective film and book agents, Ron Bernstein and Amanda "Binky" Urban. The result was a rich deal for the former Time magazine editor: $1 million upfront, plus $2 million once the picture was made, a fitting sum for a potential best- seller but mind- boggling for a project that hardly had the word "blockbuster" scrawled in its margins. That pact, struck within days, turned out to be the easiest part of bringing Steve Jobs to the screen. Over the following four years, the picture would draw then lose such major names as David Fincher, Leonardo Di.

Caprio and Christian Bale before settling on director Danny Boyle and star Michael Fassbender; it would become entangled in a gargantuan email hack that put Sony Pictures at the heart of a global firestorm; it would lead to the near- rupture of Pascal's decadeslong friendship with one of Steve Jobs' producers, Scott Rudin; and it would inspire accusations of opportunism from none other than Apple CEO Tim Cook. Fasten two seat belts," Pascal warned in a prescient early email. Its [sic] gonna be more than bumpy."While Apple has maintained a distance from the film — which acknowledges Jobs' brilliance while painting an unflattering portrait of his personal relationships — Jobs' widow, Laurene Powell Jobs, 5. They haven't helped," says Boyle of her and Cook. There's been some tough moments.

I'm not going to go into them."Says another of the picture's key players, "Since the very beginning, Laurene Jobs has been trying to kill this movie, OK?" (Laurene's character does not figure in the film, while Jobs' daughter,Lisa Brennan- Jobs, from another relationship, plays a prominent part.) "Laurene Jobs called Leo Di. Caprio and said, 'Don't do it.' Laurene Jobs called Christian Bale and said, 'Don't [do it].' "Reps for Bale and Di. Caprio were unable to verify that, and Laurene Jobs did not return calls. A Sony executive confirms, however, that: "She reached out; she had a strong desire not to have the movie made. But we said, 'We're going to move forward.' My understanding is, she did call one or two of the actors." Another source says that Laurene lobbied each major studio in an attempt to kill the project. Jobs and wife Laurene in New York in 2.

Cook also engaged in a brief duel with screenwriter Aaron Sorkin, saying he thought the recent spate of Jobs movies (including a much- maligned 2. Ashton Kutcher and a documentary by Alex Gibney) was "opportunistic." Sorkin then snapped back, telling THR that "if you've got a factory full of children in China assembling phones for 1. He later walked back his statement.)Early in October, Cook also addressed Apple employees and told them to remember "what [Jobs] was really like."In the end, the Sorkin- Cook spat may matter less than the fallout from last year's Sony hack, which resulted in a trove of information being plastered on the web, giving a unique insight into the making of the movie but also shifting the narrative in ways its creators might not appreciate. The hack has enraged two leading participants, Sorkin and Seth Rogen, who plays Jobs' erstwhile colleague Steve Wozniak."Honest to God, my No. Sorkin over a late- September tea at London's Corinthia Hotel.

I was furious at the press for printing them, at the press for aiding and abetting terrorism so gleefully, at a country so gorged on gossip that they didn't understand that extortionists had threatened to kill the families of accountants and assistants and electricians and painters and carpenters if Seth Rogen released his movie." (The hack purportedly was an attempt to halt Rogen's North Korea satire The Interview.)Boyle (left) and Sorkin on the set of 'Steve Jobs.' Says Boyle: "Sorkin has a reputation as being a stickler for punctuation. And that probably comes from desperately trying to reassert the rhythm he’s written. But] he was wonderful in rehearsals.""They created a dumping ground for all this material and alerted the press every time there was a dump there," adds Sorkin.

And like dogs to vomit, the press would go there and do their bidding for them. The press was] running the last leg of a marathon for — and I say this without hyperbole or exaggeration — honest- to- God terrorists."Rogen says he was "at times worried" for himself but more concerned about his emails than his personal safety: "There was a moment where I had to think: 'If every email you've ever written came out now, what would people find and what would people think?' " While he on occasion would "scan through the articles [about the hack]," he largely ignored them.

The actor was lucky to emerge unscathed in the emails relating to Steve Jobs. That was not the case with Rudin and Pascal, whose relationship was stretched taut and may have snapped during the making of the movie, which Sony eventually lost to Universal Pictures and which opens Oct. Neither Rudin nor Pascal would comment.)"You've behaved abominably," the producer emailed Pascal toward the end of their dealings on Steve Jobs, "and it will be a very, very long time before I forget what you did to this movie and what you've put all of us through."•••Steve Jobs began its movie run when Gordon got a call from manager and producer Guymon Casady (later one of the picture's producers) alerting him that the rights to the book were available. After buying it, Gordon, Pascal and Casady drew up a list of writers and directors who might tackle the project, with Sorkin and Fincher at the top.

The studio chief then contacted Rudin and Sorkin, with whom she had worked on 2. The Social Network. The writer had never met Jobs, but they had spoken by phone. First time, he called me because there was an episode of The West Wing that he particularly liked and he called to say so out of the blue," Sorkin recalls. The second time, he wanted me to come and tour Pixar in the hope that I would write a Pixar film. And the third time, he asked for my help on a Stanford commencement speech." (Sorkin obliged, free of charge.)A deal was closed that would pay the writer $5 million, of which $1 million was deferred. He later would agree to slash his fee.) After extensive research, he decided to tell the story in three acts, each one following Jobs backstage during a presentation at a different point in his career.